

Moreover, the first Lake Tahoe sequence immediately begins a dialogue with the previous GODFATHER movie. Visually, this is exactly what we see in the film itself. Speedboats roar through the waters, pulling youthful water-skiers and the pool and private harbor are filled with laughing, swimming guests.
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A full dance orchestra plays music of the times on a pavilion-bandstand built especially for the occasion. The lawns of this great estate on the shore of Lake Tahoe are covered with guests of a wonderful summer party to honor the first Holy Communion of Anthony Corleone, the son of Mr. There is also a brief interlude in pre-Castro Cuba.Īs long as this epic film is (3 hours and 20 minutes), if everything in the first draft had been filmed and included in the final cut, it would have been substantially longer.Īfter an opening sequence showing Vito as a 9-year-old boy in Sicily and his journey to America via boat, the script describes the first Lake Tahoe scene (1958) as follows: THE GODFATHER PART TWO script (filmed and released as THE GODFATHER: PART II) is both a prequel and a sequel to the first GODFATHER film, intercutting two time periods – a prequel section (19-1920), in which future godfather Vito Corleone (Robert De Niro) emigrates from Sicily to New York City’s Little Italy and begins his rise to power, and a sequel section (1958-1959), taking place mainly in Lake Tahoe, Nevada, during which Vito’s ruthless son, Michael Corleone (Al Pacino), consolidates his national crime empire.
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Remarkably, given the complex and innovative structure of the narrative, this detailed first draft is fairly close to the completed film, as if Coppola had the entire movie in his mind – knew exactly where it was going and how it would end – but hadn’t yet put it all on paper. SO PLEASE READ THIS AS A WORK IN PROGRESS…” SINCE IT’S MORE IMPORTANT THAT I PUSH ON TO COMPLETE THE DRAFT, I’VE NOT GONE BACK FINESSE ANY OF THESE PAGES: THEY ARE ENCLOSED PURELY AS AN ACCOMMODATION TO PARAMOUNT TO SEE THE SCOPE OF THE PROJECTED FILM, AND FOR SCHEDULING AND BUDGET PURPOSES. “NORMALLY, I’D LIKE THE OPPORTUNITY TO FINISH THE ENTIRE DRAFT, AND THEN MAKE REVISIONS BEFORE LETTING ANYONE READ PAGES. As Coppola himself explains in his preface to the screenplay: This first draft screenplay of Francis Ford Coppola’s masterpiece – arguably, one of the greatest of American films – is unfinished. Light stains to wrappers, overall NEAR FINE, in a quarter morocco clamshell case.

Plain wrappers, brad bound, 165 pp., Xerographic duplication. Pick up a copy on newsstands now, or click here to order online.Mario Puzo (source) Francis Ford Coppola (screenwriter, director) Vintage original film script, USA. And Michael Corleone’s soul is lost forever.Įmpire's The Godfather 50th Anniversary issue is on sale now, with features including an interview with Francis Ford Coppola, some of the cast talking through iconic scenes, a tribute to John Cazale and lots of rarely seen BTS images. Then, as it becomes almost unbearable, he stands and he shoots. Italian, without subtitles, plays over the shot, making us feel as disorientated as Michael. And when he sits back down, a 30-second close-up of his face - eyes flickering from side to side, lizard-like, as he musters up courage to do what must be done - is augmented not by cliched suspenseful music, but by the rumble of an elevated train, a hellish industrial sound effect that reflects the horror churning in his stomach. He runs his hands through his hair, wracked with tension. When he heads to the WC, Coppola draws out the tension exquisitely - Michael fumbles for the gun, but can’t find it, until suddenly it’s there. It’s clear that Michael’s emotions are boiling over, yet he’s suppressing them just enough that his two dining companions don’t get wise. The subsequent sequence is a tour de force in every sense. Instead, this is where Michael Corleone is going to serve up street justice to go with the veal: according to the plan that’s been cooked up, midway through his tense dinner with rival mobster Sollozzo and corrupt cop McCluskey he’ll retrieve a gun that’s been stashed behind the loo, return to the table, then blast both men with bullets. You know, the box and chain thing.” Turns out, Tessio isn’t just very particular about how he goes to the commode. Louis Restaurant, a humble eatery located in The Bronx, is, according to Corleone lieutenant Salvatore Tessio (Abe Vigoda), “A small family place, good food. It begins with a Godfather version of a TripAdvisor review.
